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Understanding 9/11Collected Works of Marion Harris
Audio With External Links Item Preview
Related Music question-dark
| Song Title | Versions | Compilations | Covers |
|---|---|---|---|
| A Good Man is Hard to Find (1919) |
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| After You've Gone (1918) |
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| Beale Street Blues (1921) |
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| Did You Mean It (1927) |
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| Don't Leave Me, Daddy (1916) |
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| Everybody's Crazy 'Bout the Dog-Gone Blues But I'm Happy (1917) |
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| For Johnny and Me (1919) |
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| Good-Bye Alexander, Good-Bye Honey Boy (World War I Song) (1918) |
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| Grieving For You (1921) |
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| I Ain't Got Nobody (1921) |
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| I Ain't Got Nobody Much (1916) |
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| I'm Gonna Make Hay While the Sun Shines in Virginia (1916) |
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| I'm Just Wild About Harry (1922) |
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| I'm Nobody's Baby (1921) |
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| I'm a Jazz Vampire (1921) |
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| It Had to Be You (1924) |
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| Jazz Baby (1919) |
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| Jealous (1924) |
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| Left All Alone Again Blues (1920) |
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| Look For the Silver Lining (1921) |
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| Mammy's Chocolate Soldier (Coon Song) (World War I Song) (1918) |
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| My Syncopated Melody Man (1916) |
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| Nobody's Using It Now (1930) |
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| Paradise Blues (1916) |
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| Rose of the Rio Grande (1923) |
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| Some Sunny Day (1922) |
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| Some Sweet Day (1917) |
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| Somebody Loves Me (1925) |
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| St. Louis Blues (1920) |
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| St. Louis Blues (1920) a |
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| Sweet Mama (Papa's Gettin' Mad) (1920) |
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| Take Me to the Land of Jazz (1919) |
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| Tea for Two (1925) a |
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| The Man I Love (1927) |
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| There'll Be Some Changes Made (1924) |
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| There's a Lump of Sugar Down in Dixie (1918) |
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| They Go Wild, Simply Wild, Over You (1917) |
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| Waitin' For the Evening Mail (1923) |
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| When Alexander Takes His Ragtime Band to France (World War I Song) (1918) |
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| When I Hear That Jazz Band Play (1917) |
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| Who's Sorry Now (1923) |
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Reviews
Reviewer:
rspencer
-
favoritefavoritefavoritefavoritefavorite -
February 27, 2010
Subject: Listening notes
Subject: Listening notes
This is not a review per se, although I consider Marion Harris one of the great female voices of the 20th Century. I am writing to warn listeners that many of the sound files in this collection are not playing at the right speed. Those that have had noise reduction seem to be all right, but the direct transfers from disc, at least the Columbias and Brunswicks (this is generally indicated in the metadata), are spinning at 78 (78.26, to be precise), when they should be spinning at 80. This makes a huge difference! At the slower speed, the performances seem dull and uninspired, and Marion Harris was NEVER that!
If you have access to any sort of sound file processing software, please adjust the length of these files to 97%, or do whatever the software does to speed it from 78.26 to 80, before you judge the performances therein.
If you have access to any sort of sound file processing software, please adjust the length of these files to 97%, or do whatever the software does to speed it from 78.26 to 80, before you judge the performances therein.
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78 RPMs and Cylinder Recordings
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